‘apocalypses’: philippine edition cover reveal

victoria-apocalypses-cover01

Apocalypses, poems, 2013. Cover art and design by Adam David.

Adam talks about the cover:

I’ve always loved Eliza’s poems, which I’ve always felt had menacing shadows flickering just past the filigree. Tried evoking that in the cover, but, you know, I’ve also been wanting to take photos of miniature furniture for quite some time now, so when Eliza eMailed me a brief with marching orders to do “a neutral place – a kitchen table, a living room, a train station – no people,” I more or less jumped at the opportunity.

If you have already ordered a copy, my deepest thanks. I will send you an email once the book is ready.

For those interested in having a copy, please contact me.

and the field/ briefly stirring to life

Coming Soon

BookCoverImage

List Price: $4.99/around PhP 200
8″ x 10″ (20.32 x 25.4 cm)
Black & White on White paper
38 pages
ISBN-13: 978-1482521955 (CreateSpace-Assigned)
ISBN-10: 1482521954
BISAC: Poetry / General
 

A selection of poems by Filipino author Eliza Victoria.

Contains poems from the Palanca Award-winning collections, “Maps” and “Reportage”, as well as poems that have previously appeared in Room Magazine, The Pedestal Magazine, and Stone Telling.

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Once the poetry chapbook becomes available, you can order copies via Amazon.com, Amazon Europe, and the CreateSpace eStore.

Residents in the Philippines who want to order the chapbook can order copies from me directly to save on shipping costs and to avoid delays. While the overseas version uses a cover created on CreateSpace, the Philippine edition will feature a cover designed by Adam David. (He’s working on it as I write!UPDATE: And it’s done! View it here.) The local edition will cost PhP 200, plus 50 to 100 for shipping. I’m sorry, but I can’t do meet-ups/pick-ups right now.

In the meantime, if you’d like to order the Philippine edition, please leave a comment below beginning with the word ORDER, followed by your first name and the number of copies you want to buy, so I can have a rough idea about the number of copies I will need to have ready locally. Please only leave an order comment if you seriously want to order a copy. My order will be dependent on the number of orders in the comments here. And yes, I’m talking to all two of you.

Further details on payment and shipment for local orders will be provided once the book is available (April at the latest). I’ll reach out to you, don’t worry.

Why go the self-publishing route? It’s fast, it gives the author complete control, and this is too small a book to peddle to traditional publishers. Poetry is vibrant in the small presses. More on this in later posts.

My thanks to Mina Esguerra for answering a question of mine early in the morning, and for her helpful posts about self-publishing. My thanks also to Adam David, and the other editors who first gave my poems a home.

And thanks to you, for reading, and I hope I can get your support for this little experiment of mine.

Aside

Anina Abola from the Metro Serye team sent me a message saying that they have received numerous requests for copies of the poems I read during the World Poetry Day event at the Ayala Triangle.

So here they are:

Maps

Always, the request to reconstruct what has already destroyed you. Show us where, and your finger sweeps mountains and seas to settle on a blossoming bruise, a gunshot wound, a burning wall, a room, a face, a sign. Tell us what happened that night. You unfurl what you know and hold down the corners with rocks. Tell us what you saw. If a witness: the bookcases, the overturned lamp, the ruined door, the bodies in supplication, the scattered self. If a survivor: the ceiling with a dying light. If the body – if the face on the photocopied poster –

Here I am, perhaps standing on the second before it happens. I have the grocery list as my guide. I have pre-marked my path.Why did this happen? The key is in the slow deconstruction. Bread, detergent powder, grapes, apples, cheese, a kilo of meat, a head of lettuce. This is why. This is where it starts. Every second is a second before it happens. I hear a siren and say a prayer. I hear a sound in the middle of the night and hope that you are safe. Your only weapon is what you know. I push the cart and know only these aisles and the order in which I visit them. The girl behind the counter offers no clues. What power do I have? Already the curtain curls under the weight of fire. Already the ground welcomes whatever it believes is coming.

 

 Maps

Those of us who still remember – we know nothing but longing.
My grandmother sits perfectly content by the shore
of this day, this isolated ocean, contained within itself.
I never ask, What is my name? for who am I to invade her view,
skipping rocks on her calm waters, blocking this sun she believes
has done her no wrong. Didn’t my grandfather die in heat?
A headache on a summer day, a nap, a death that devastated her
now leaving her without a sound. Define injustice in this context,
define betrayal. Define love. Define peace. My father misses a turn
and I am filled with dread. Is this how it starts?
Perhaps inside him is a house now slowly being emptied
of photographs and furniture. How long before he throws open the door,
before I fail to stem the hemorrhaging moment?

Inside myself is an open window, where I cup my chin and long for you
while I can, while I can still remember. I now treasure the darkening sky,
the memory of disasters, the cold that visits me at night.
I treasure you, this open window, your absence and my awareness
of this absence. In my dreams, we are always the ocean,
I cannot see the end of ourselves, I am blinded by the sun
rising on our horizon, we are the one marvel I never fail to witness.

© Eliza Victoria

poetry at the ayala triangle gardens

So on March 21, World Poetry Day, I read a couple of my poems at the Ayala Triangle Gardens.

That’s the stage. I wasn’t able to bring a decent camera, so sorry for the lack of event photos. I’ll snag some from other people once the photos are posted.

Photo credit: Frankie Torres http://heykeytorres.blogspot.com/

I read two poems, both called “Maps”, which both appeared in Metro Serye and in my collection which won in last year’s Palanca Awards.

Photo credit: National Book Development Board

Of all the poets who read at the event, J and I were most taken by Ramon Sunico. Beautiful poems read in a heartfelt manner. You should have been there. The crowd went “oh” and applauded after the last line. I really really really wanted to approach him and tell him this in person but shyness took over.

Anyway, I found a copy online of one of the poems he read (“Huwag Ka Sanang Magagalit”). Beautiful.

Thank you Mookie and Anina and Filipinas Heritage Library for inviting me. And thank you for the Bonchon dinner and these gifts!

Issue 2 of Metro Serye

An umbrella from FHL

Featuring sketches by Jose Rizal.

J and I headed to Wee Nam Kee for a dinner date. Two ladies recognized me from the event and congratulated me. Thank you!

First time to eat here! Try their chicken rice, and have some lime juice with your meal. Yum.

Aside

I’ll be there. If you hear someone squeaking lines nervously into a microphone, that’s most probably me.

Let’s say hi to each other.

Spread the word!

2010 reads

First off, good news in the writing department: after a minor rewrite, Expanded Horizons has accepted my story, “Intersections”. Sci-fi, this one. The editor’s looking at a February run date. What a way to start the year!

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Anyway, I just want to share

The books and stories and poems I read (and loved) in 2010

in no particular order

  1. The Miracle Life of Edgar Mint
  2. “Jumper Cable: The Crossing” in the PGS: Christmas issue
  3. We Are All Welcome Here
  4. 20th Century Ghosts
  5. A Storm of Swords
  6. Lucky
  7. The Killing Joke
  8. Twisted 8 1/2
  9. Philippine Speculative Fiction V
  10. Hunger Games trilogy
  11. Scott Pilgrim
  12. The Unnamed
  13. Tales of Beedle the Bard
  14. The Society of Others
  15. All Over But the Shoutin’
  16. Video
  17. The River King
  18. A Clash of Kings
  19. Dot.bomb
  20. House of Leaves
  21. The Likeness
  22. Ender’s Game
  23. The Beauty Myth
  24. “We Heart Vampires!!!” from Strange Horizons
  25. “The Six Skills of Madame Lumiere” from Beneath Ceaseless Skies
  26. “The Cassandra Project” in Lightspeed
  27. “Beach Blanket Spaceship” in Clarkesworld
  28. “No Two Stones” in Heroic Fantasy Quarterly
  29. “What Sieglinde Serpentslayer Said to the King”in Heroic Fantasy Quarterly (poetry)
  30. Kali Yuga” in Innsmouth Free Press
  31. December Lights
  32. New York City as Temporal Measurement” in The Collagist (poetry)
  33. Let Me Explain” (poetry)
  34. Colosseum” (poetry)
  35. Why You Should Never Marry a Poet” (poetry)
  36. Usok # 2
  37. The Facts of the Case” in High Chair (poetry)

I’m sure I’ve read certain stories/poems that I just forgot to take note of, but this is more or less my list.

I should read more online pieces. Everyone should. There are some gems there.

uncovered

From a response paper I wrote for some CW course:

It is a mercy, then, that no two poets have the same inner life. As readers this allows us to see the world transform and transform again; as writers this allows us to offer something that no other person can offer. Every vision becomes not only true, but necessary, shedding light on the things the others have missed, or simply chose to ignore. This is Rothenberg’s “life-giving vision”, Kelly’s step beyond the “epiphany”, beyond the “flakes of mica embedded in” the pavement, seen for the first time. It is not enough that we see; it is necessary for us to let/make others see, to turn that hum in our head when we walk in the cold at night, that sudden inexplicable flash, that sudden shapeless dream, into the worst thing it can possibly be: a poem, made up of words. If only poems do not have to go through language, if only poems can be given to the world the way they come to us, elusive and formless and pure. But as Kelly says, “We are given: 1 world to transform, 1 language to transform it with.” So be it. We write, no matter how much is sieved and lost in the process, because every vision is legitimate, and needed.


So who’s Rothenberg and who’s Kelly? I seem to know so much about them.

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In retrospect though – I think I still believe in whatever shiz I’ve written years ago. :)

Now, if only I can make myself write again with the same ferocity. *Sigh*