Philippine Speculative Fiction Vol. 6 will be launched on May 28th, a Saturday, 5 pm, at the U-View Theater, Fully Booked, at the Fort. I have a story here. See you at the launch! :)
Category: plug
‘reunion’ recorded
I am happy to announce that Pakinggan Pilipinas will be featuring my story “Reunion” as its eleventh podcast on May 1st. Click here for the teaser. :)
You may download previous podcasts for free here. (My favorite is Episode 2, “Ghost Between Moments” by Kate Aton-Osias, read by Elyss Punsalan.)
According to podcast goddess and fiction writer Elyss:
Pakinggan Pilipinas is a website that features Filipino short stories in audio/podcast form. The aim of the site is to promote homegrown fiction in a fresh new way to new audiences -primarily fellow Pinoys who are not into reading Filipino fiction. The site comes out with a podcasted story every month, read by a narrator who is not the story’s author. The intention is to encourage readers to be creative and more involved with the author’s work.
All rights to the stories are owned by authors themselves, and are produced here in audio form with the authors’ expressed permission. The audio files are property of Pakinggan Pilipinas. These may be shared freely, but cannot be sold or altered in part or in whole, without permission.
Contact us by emailing PakingganPilipinas(at)gmail(dot)com. You can help support this site by clicking here.
plug it baby
The Kritika Kultura Anthology of New Philippine Writing in English is now live. Edited by Mark Anthony Cayanan, Conchitina Cruz, and Adam David and featuring work by Arbeen Acuña, Liana Barcia, Maria Pia V. Benosa, Lawrence Bernabe, Mae Cacanindin, Catherine Candano, Joseph Casimiro, Marrian Pio Roda Ching, Jose V. Clutario, Isabela Cuerva, Paul S. de Guzman, Jun De La Rosa, Dana Lee F. Delgado, Daryll Delgado, Arlynn Despi, Katrina C. Elauria, Francis Murillo Emralino, Rey Escobar, Apo Española, EJ C. Galang, J. Pilapil Jacobo, Florianne Jimenez, Phillip Kimpo Jr., Pauline Lacanilao, Christine V. Lao, Isabelle Lau, Petra Magno, Johnina Martha Marfa, John Revo Ocampo, Anna Oposa, Zosimo Quibilan, Jr., Carlos Quijon, Jr., Eris Ramos, Ramon Niño T. Raquid, Kristine Reynaldo, Agustin Martin G. Rodriguez, Sandra Nicole Roldan, Chiles Samaniego, Katrina Stuart Santiago, Oscar Tantoco Serquiña, Jr., Vincenz Serrano, Christian Tablazon, Alyza Taguilaso, Rapunzel Tomacder, Eileen F. Tupaz, and Vyxz Vasquez. Exquisite Corpses by DJ Legaspi, Mervin Malonzo, and Josel Nicolas.
I have a poem in it called “Maps“.
From the introduction:
The decision to affix the term new to this anthology derives from the conviction that there are enough surprising behaviors in language present in recent Philippine writing in English to merit a shorthand evaluation that is nothing less than a brazen pronouncement. New, in this case, is meant to careen beyond literal description, although it performs this practical function: the authors in this anthology are young in their writing lives, having published only one book, if at all, and quite a number of the contributors count this publication as their first. This common feature, while pertinent, is not the impetus for the anthology—the most youth does is promise imaginative energy, not assure it, and to host a friendly inventory of potential among those whose early stages of literary production coincide seems simply superfluous, if not vapidly premature, the new reduced to disclaimer rather than declaration. In calling itself new, this anthology holds itself responsible for the literary spectrum it constructs and asserts its position within. It directly engages art’s unwavering fixation with originality—or its more pragmatic twin, reinvention—amid conditions that more and more aggressively eliminate their possibility. It situates itself in conversation with various traditions and whatever its existence renders old, mindful of the fluctuating degrees to which these are inscribed within the works that succeed them. It presumes a pitch peculiar enough to withstand, even temper, the cacophony of existing literature, and consequently, compelling enough to command attention.
My thanks to the editors.
*
I finally had time to read the Stone Telling Whimsy issue. Absolutely loved Catherynne Valente’s “The Secret of Being a Cowboy“, read brilliantly – just brilliantly! – by S.J. Tucker. You must listen to it!
The Roundtable is always a treat, made even more special in this issue by a surprise bonus poem. :) Do read the discussion and Jo Walton’s “Sappho Beyond Hades”.
I also loved the art Rose paired with the pieces. The art paired with “The Weatherkeeper’s Diary” was perfect. I’d like to have that hanging in my room.
*
Apparently, I also made an impression. Author Amal El-Mohtar said she was “very struck” by my poem, “Sodom Gomorrah”. Thank you! :)
Tin Lao (who told me about Amal’s review) also said she loved this poem, as well as “Maps”. Thanks! (Do read her poem, “The Difference Between Abundance and Grace“. The fallen and the bruised on the fragrant lawn and a woman who chooses and chooses what is worth saving.)
I can’t wait to sit down and read the entire KK anthology.
stone telling 3 is here!
The Stone Telling Whimsy issue, edited by Rose Lemberg, contains a roundtable discussion led by Julia Rios, nonfiction articles by Deborah Brannon and Nin Harris, and poetry by Jo Walton, Catherynne Valente, Emily Jiang, Sonya Taaffe, Michael R. Fosburg, Caitlyn Paxson, Sara Saab, Susan Rooke, William Doreski, Benjamin Cartwright, Mary Turzillo, and moi. :)

From the introduction:
In “Whimsy” we tilt sideways to look at the world askew – and all kinds of things fall out of the pockets. There’s cloud skeins and language and landscape. There’s salt, and portraiture in mushrooms, and a rice cooker. There’s death, and photosynthesizing cats, and a six shooter called Witty Rejoinder. Boundary-crossing is a serious business.
This issue leaves a trail of hazelnuts. I think it leads to a place unafraid of saying strange true things. New things. Brain-popping things. We flail around for a voice and find pomegranates. We speak of happiness and pain and who we are and how we mesh, but we are not a crowd of lookalikes. Some of us love mythpunk, others disavow genre definitions. We argue, and come up with new stuff. Here- however you define it – here, in this sort of speculative, sort of literary, always in-between liminal space we don’t have to be concerned with conforming, complying, fitting in, faithfully following in the steps. These steps are our own steps. I hope you find what we do here meaningful – and fun.
A few editorial announcements:
Issue 4 will be guest-edited by Shweta Narayan and J. C. Runolfson. Please send them stuff!
My future plans include an International Mythic issue (Stone Telling 5), and a Science and Science Fiction Issue (Stone Telling 6). More information soon!
Congratulations to Stone Telling 1 and 2 poets who were nominated for the Rhysling Award:
Mary Alexandra Agner, “Tertiary” (issue 2)
Tara Barnett, “Star Reservation” (issue 1)
Amal El Mohtar, “The Winter Tree” (issue 2)
Samantha Henderson, “The Gabriel Hound” (issue 1)
Sonya Taafe, “Domovoi, I Came Back” (issue 1)And finally, I’d like to welcome the newest addition to the Stone Telling team. Jennifer Smith is our tireless proofreader and occasional html wrangler.
Happy reading!
Rose Lemberg, editor
A few editorial announcements:
Issue 4 will be guest-edited by Shweta Narayan and J. C. Runolfson. Please send them stuff!
My future plans include an International Mythic issue (Stone Telling 5), and a Science and Science Fiction Issue (Stone Telling 6). More information soon!
Congratulations to Stone Telling 1 and 2 poets who were nominated for the Rhysling Award:
Mary Alexandra Agner, “Tertiary” (issue 2)
Tara Barnett, “Star Reservation” (issue 1)
Amal El Mohtar, “The Winter Tree” (issue 2)
Samantha Henderson, “The Gabriel Hound” (issue 1)
Sonya Taafe, “Domovoi, I Came Back” (issue 1)
And finally, I’d like to welcome the newest addition to the Stone Telling team. Jennifer Smith is our tireless proofreader and occasional html wrangler.
Happy reading!
Rose Lemberg, editor
“sand, crushed shells, chicken feathers”, reviewed
The Portal recently reviewed the January to February stories published on the World SF blog, and gave a favorable review to “Sand, Crushed Shells, Chicken Feathers“.
The World SF Blog, run by Lavie Tidhar and Charles Tan, was set up in 2009 to carry news and features on science fiction from the world over. For the last few months, the blog has also been publishing fiction (mostly reprints); this is a look at the stories posted in the first two months of 2011, and it is quite a mixed bag. Nick Wood tells a fine tale of a man whose relationship is becoming as dried out as the land. Pyotr Kowalczyk contributes an amusing portrait of a ramshackle trip into space. Michael Haulica’s story of a gastronomic experiment gone wrong is let down by its translation. Ekaterina Sedia’s piece evokes a keen sense of loss as the supernatural meets the real world. Eliza Victoria brings magic into the real world in a different way, magic that’s enigmatic to her readers and characters alike. Stephen Kotowych poses some intriguing questions about time, in a story that doesn’t quite succeed as a whole. And Charlie Human chills with his brief depiction of a new way to fight a battle.
…
Eliza Victoria’s story “Sand, Crushed Shells, Chicken Feathers” (2010; first published in the Philippine Free Press) concerns two college roommates: John, a firm believer in the supernatural; and Zachary, who is much more skeptical, despite all his grandmother’s tales of magic. Zachary may have cause to question his assumptions, though, when he comes home one day to find John in tears, with the strange voice of an apparently lost girl on the other end of his phone. John was trying to find the spirit of his dead sister, Emma, and instead found two strangers. What really makes this tale work is that Victoria incorporates the supernatural in such a way that it becomes both down-to-earth and mysterious; the magic feels as though it belongs to the contemporary world (with, for example, its use of modern technology), yet one’s sense of exactly how it works and what it does remains murky. The combined effect is nicely unsettling.
The Portal also liked “Parallel“.
Click on the links if you want to read the reviews and/or stories. :)
voyage to bathala

My short story, “Voyage to Bathala“, is now live on the Philippines Free Press site. Hope you enjoy it. Feel free to share.
the hundreds! call for submissions of 100-word stories
From Adam David and Carljoe Javier, which I heard from Tin Lao.
“This is a call for Love. Send works of a hundred words or whole-page strips or one-panel gags on that perpetually pervasive pandemic, either as RTFs or JPGs both in Filipino or in English to 100loves100@gmail.com, subject heading “I LOVE YOU” on or before May 10 2011 – for Love.”
Also, submit your six-word stories in Filipino and/or English to: Sais.
