So I’m trying on Flickr for size. I thought it would help organize my photos for the blog.
Sharing with you some more photos of Room.
So I’m trying on Flickr for size. I thought it would help organize my photos for the blog.
Sharing with you some more photos of Room.
Brooke Wonders in “Everything Must Go” reinvents the tired trope of the drunkard father, the grieving mother, the children caught in between, and the house they have to leave behind, by stretching metaphors to their limits. It’s incredible storytelling, and what language.
He watches his father remove a fifth of Jack from its sock-drawer hideaway and down a few quick swigs. Through his father’s transparent flesh, Bird can see the liquor slide slow down Glass’s throat until it joins the tawny liquid sloshing waist-high. Tiny waves break against his bellybutton. The immediate difference is imperceptible, but as the days rush by, Bird watches the amber tide rise from bellybutton to chest to clavicle, until Glass has filled himself up nearly to the brim, his eyes shiny as bottle caps.
I listened to Kate Baker’s audio adaptation of the story while jogging last night. Enjoy.
http://clarkesworldmagazine.com/audio_11_12b/
Another thing: Carljoe Javier’s Top 10 reads for 2012 is now live on Flipside. A Bottle of Storm Clouds is included in the list! Thanks, Carl.

A Bottle of Storm Clouds by Eliza Victoria
This collection of short stories goes in such a wonderful range of directions. It portrays the familiar, school, kids, family issues, but also delves into worlds strange and fantastic. I have liked Eliza’s writing since I first read it, and this first book of hers is something I have been immensely impressed by.
It’s Cyber Monday! (Well, in the States, it’s Tuesday here.) Check out these books on sale by Flipside Publishing.
Do consider buying:

The Viewless Dark by Eliza Victoria | $0.99 (PhP 40.59) | Amazon | iTunes | Barnes & Noble | Kobo | Flipreads
Visprint will deliver books anywhere in the Philippines for free – till Dec. 10. Read more here.
Do consider buying:

A Bottle of Storm Clouds by Eliza Victoria | PhP 220
We’ve seen the Lights & Sound show at the Ayala Triangle. Drop by if you have the time.
Lights and Sound Show
Nov. 16 – Dec. 30
Watch the lights come to life in Ayala Triangle Gardens every 30 minutes from 6:00 to 9:00 PM
And I bought some new books. Again. (The KJ Parker title I split with J.)
Now reading: Prince of Thorns, to be followed by Gone Girl.
A first review! Krysty Choi talks about Lower Myths:
On Diwata, Barang, and Mysterious Lawyer Almost-Twins: Eliza Victoria’s “Lower Myths”
There’s something entirely delicious about stories that swathe the ancient and magical in the humdrum drabness of modernity. For some reason I feel like I’m given a rare opportunity – a sneak peek into a world I have no right to see. It also gives the modern world – something that gets a little too adult and responsible and tiring at times – a bit of glamour and mystery.
I admit to wondering if every third person I meet on the street is some kind of secret engkanto, working at the call centre because it’s funnier to answer irate calls than hang around a rainforest.
This is also why some of my favourite graphic novels (or comic books; I’m not that good with labels) are Fablesand Trese.
Eliza Victoria’s Lower Myths does just that, although it interestingly visits both sides of the fence, so to speak. To elaborate is to give away far too much, but suffice it to say that the rising star of Philippine speculative fiction (I prefer to call her the Apocalyptic Star, because 2012, bitches) does a fine job weaving magic into this humdrum world. It’s not her first attempt, too. Her short story in the Alternative Alamat collection is both chilling and nostalgic.
That said, it is entirely personal preference that leads me to say that the first story is my favourite. (There are only two stories in this collection, so get back to work, author!) The story is entirely too short, true, but the presence of magic and magical beings in a scenario far too human (so much guns, Eliza, but this gangster movie addict isn’t complaining) cannot be described as anything other than wicked. Fairies versus warlocks sounds like a very Michael Bay movie, but she pulls it off with aplomb and the story never strays from its slightly humorous, slightly askew nature.
It’s notable that despite the very Filipino roots, Lower Myths never feels alienating. In other words, this is my very transparent attempt of encouraging friends (Filipino or otherwise) to get a copy. On Amazon and Flipreads, go.
Anina Abola from the Metro Serye team sent me a message saying that they have received numerous requests for copies of the poems I read during the World Poetry Day event at the Ayala Triangle.
So here they are:
Maps
Always, the request to reconstruct what has already destroyed you. Show us where, and your finger sweeps mountains and seas to settle on a blossoming bruise, a gunshot wound, a burning wall, a room, a face, a sign. Tell us what happened that night. You unfurl what you know and hold down the corners with rocks. Tell us what you saw. If a witness: the bookcases, the overturned lamp, the ruined door, the bodies in supplication, the scattered self. If a survivor: the ceiling with a dying light. If the body – if the face on the photocopied poster –
Here I am, perhaps standing on the second before it happens. I have the grocery list as my guide. I have pre-marked my path.Why did this happen? The key is in the slow deconstruction. Bread, detergent powder, grapes, apples, cheese, a kilo of meat, a head of lettuce. This is why. This is where it starts. Every second is a second before it happens. I hear a siren and say a prayer. I hear a sound in the middle of the night and hope that you are safe. Your only weapon is what you know. I push the cart and know only these aisles and the order in which I visit them. The girl behind the counter offers no clues. What power do I have? Already the curtain curls under the weight of fire. Already the ground welcomes whatever it believes is coming.
Maps
Those of us who still remember – we know nothing but longing.
My grandmother sits perfectly content by the shore
of this day, this isolated ocean, contained within itself.
I never ask, What is my name? for who am I to invade her view,
skipping rocks on her calm waters, blocking this sun she believes
has done her no wrong. Didn’t my grandfather die in heat?
A headache on a summer day, a nap, a death that devastated her
now leaving her without a sound. Define injustice in this context,
define betrayal. Define love. Define peace. My father misses a turn
and I am filled with dread. Is this how it starts?
Perhaps inside him is a house now slowly being emptied
of photographs and furniture. How long before he throws open the door,
before I fail to stem the hemorrhaging moment?
Inside myself is an open window, where I cup my chin and long for you
while I can, while I can still remember. I now treasure the darkening sky,
the memory of disasters, the cold that visits me at night.
I treasure you, this open window, your absence and my awareness
of this absence. In my dreams, we are always the ocean,
I cannot see the end of ourselves, I am blinded by the sun
rising on our horizon, we are the one marvel I never fail to witness.
© Eliza Victoria
Back from Ilocos! And drowning in work emails!
But first, some quick links:
“Needle Rain” Part 2 can now be read on PGS Online
“When words are enough”, an article about the poetry reading at the Ayala Triangle Gardens
And a preview of the Ilocos blog posts I will be drafting (once I get through all the work emails):