‘let’s talk philippine comics’ with studio salimbal

On Sunday afternoon, we went to Fully Booked High Street to meet up with the comics creators comprising Studio Salimbal.

Since we were there early we had lunch first and I hunted down a copy of Yvette Tan’s Kaba, her collection of 50 scary tales in Filipino. It’s so small! Here’s a copy, with my brother for scale.

Studio Salimbal

Studio Salimbal

The talk started on time at the Forum (4th Floor, Fully Booked, right on the floor with all of the comics). I was surprised by the number of people who showed up. Some had to sit on the floor, or stand up at the back and outside the door.

Here’s Paolo Chikiamco talking about Studio Salimbal.

Studio Salimbal

Something about the studio:

There’s a lot of talent out there.

Within the Philippines and without, there is a glut of wonderful artists, incredible writers. If you’re a comics fan, you almost have too many choices, both paid and free, in terms of genres and formats and creators (not to mention the other media battling for your attention).

I’m not complaining, mind you — as a reader, as a fan, this is a golden age. As a creator, seeing so many good stories is a welcome challenge.

But it must be said: To reach readers in this golden age, it’s not enough to simply be good — you have to stand out.

It can be a daunting task for one person —

— less so, for fourteen.

Say hello to Studio Salimbal:
* John Amor (Urban Animal) http://johnamorartist.com/
* Koi Carreon (Mythspace: Lift Off) http://eclectic-lights.blogspot.com/
* Paolo Chikiamco (Mythspace) http://www.rocketkapre.com/
* Cristina Rose Chua (Mythspace: Humanity)http://ceearrchua.tumblr.com/
* Mico Dimagiba (Mythspace: Uncommon Ground)http://libpoint.blogspot.com/
* Jules Gregorio (Mythspace: Devourers of Light) http://julesgregorio.carbonmade.com/
* Mervin Malonzo (Tabi Po) http://www.mervinmalonzo.com/
* Butch Mapa (Grimm Fairy Tales: Realm Knights) http://butchmapa.wordpress.com/
* Elbert Or (Bakemono High) http://elbertor.com/
* Tintin Pantoja (Who is AC?) http://tinpantoja.tumblr.com/
* Noel Pascual (Crime Fighting Call Cente Agents) http://conceptualleaf.tumblr.com/
* Paul Quiroga (Mythspace: Black Mark) http://kirogi-dog.deviantart.com/
* Borg Sinaban (Mythspace: Unfurling of Wings)http://borgsinaban.tumblr.com/
* Budjette Tan (Trese) http://tresekomix.blogspot.com/

Our goals are simple: to create comics, and to create a community. To do so creatively, coherently, consistently.

We will be in stores. We will be at conventions. But we’ll also be online in a big way, with most of our stories being serialized as webcomics, because that allows us to give readers something new easily, consistently, and constantly.

How constant? By 2015, we believe we will have enough comics that we’ll be able to publish a new page every weekday for the entire year.

Our site at salimbalcomics.com — designed by the multi-talented Mervin Malonzo — will be launching this April. We’ll be running Mythspace: Lift Off as our lone weekly comic to start, followed by another Mythspace story later in the year. We’ll be using this year to test the waters, to form a community, to get used to working as a team. But behind the scenes, we’re already working on next year’s stories, and it’s a buffer we’ll be looking to maintain moving forward.

The goal is simple — not easy. But that’s why we’re doing this together — and why we would love to have you all along for the ride.

The Salimbal, after all, is a magical ship from Philippine folktales that allows people to travel to a better future. In our case, we’re hoping that our own tales will help create a better future for Philippine comics.

I sat at the Writers Panel, and we talked about our processes, schedules, the places where we get our ideas, and a little about problematizing the Filipino identity as writers (which I think deserves a panel all of its own).

Studio Salimbal

The next two panels were for the artists, and a presentation of future projects. Important topics discussed were the sustainability of the industry (can we earn enough to quit our day jobs and just produce comics?), production (is it possible to not tailor our production around the convention schedules, ie can we produce more than two new titles a year, or at least finish an entire run instead of releasing several First Issues?), and distribution (can we distribute in places other than the book stores?).

I went up and presented After Lambana, which you can read about here.

After the talks closed, I had the chance to say hi to Bea Pantoja of The Dalaga Project. I didn’t know she was Tintin’s sister!

And here is Studio Salimbal, posing for their class picture.

Studio Salimbal

A random celebrity sighting when we left the venue. My brother with Marc Abaya. Notice the book he’s holding. :)

A final pose before we headed to IHOP. Breakfast for dinner, the best kind of dinner.

Studio Salimbal

Many thanks to Paolo for the invite, and to Mervin for the great art for After Lambana. Mervin is aiming to finish the book this year, so we can have a print run next year. Exciting times ahead.

I’ll be at the Komikon next week! See you all there.

coming soon: ‘after lambana’ – words & story by eliza victoria, art by mervin malonzo

One day I was reading up on the Prohibition Era and the many ways people tried to find loopholes in this ill-conceived law (for example, pharmacists could dispense whiskey for whatever illness, so after the law was passed all of a sudden there were A LOT of pharmacists), and I thought of injecting some elements of fantasy in this scenario.

What if there is such a thing as Magical Prohibition, and people are getting sick with illnesses of magical origin? Will people break the law just to be cured? How will doctors deal with these diseases? Will HMOs cover this? And so on.

The story that emerged from this “What if” is After Lambana.

Here is the blurb, as I initially pitched it to artist Mervin Malonzo:

Lambana, the realm of the Diwata, has fallen, the Magical Prohibition Act has been signed into law, and there is something wrong with Conrad’s heart. Only magic can delay his inevitable death, and so he meets with Ignacio, a friend who promises to hook him up with Diwata and magic-derived treatments, illegal though this may be.

But during the course of the night, Conrad may just discover Lambana’s secrets – and a cure to save his life.

My script runs for around 160 pages, but the events will occur in only one night.

Here are two teasers created by Mervin: one showing our two main characters (Conrad and Ignacio), and one featuring blood and flowers.

Beautiful and violent.

I am excited about this, Mervin is excited about this, and I hope this is a story you all will look forward to and support.

Thanks for reading!

studio salimbal forum on april 6 @ fully booked high street

 

Hello! We are Studio Salimbal – you may know us individually, but as a group, we’re brand new and raring to go. We’re working on a lot of comics, but for our first project, we’d like to talk – talk about Philippine Comics, to be precise, so you’re all invited to get together with us at 2:30pm, on April 6 (Sunday), at the Forum at Fully Booked Hightstreet. We’ll have a series of open panels where Salimbal members, as well as any creators who would like to come, can talk shop, and compare projects and goals for the future. Oh, and there will be free sketches too!

 

I will be here as a comics creator (haaaaaaaaaaaaaaaaaawhat how new and exciting) on the writers panel. I will be introducing the project Mervin and I are working on and will share 1) the title (ha!) 2) the blurb/what it’s about 3) maybe sketches?

April 6! Paolo Chikiamco (Rocket Kapre/Mythspace) will be introducing Studio Salimbal to the world. You can like their page for updates and more info. See you guys.

buy + write: abangan – the best of philippine komiks and fast food fiction volume 2

Got this from the Abangan – The Best Philippine Komiks Anthology Facebook siteAbangan is an annual anthology of the best Philippine komiks. It is co-edited by Rob Cham (who also made the cover art), Adam David, Carljoe Javier, and Elbert Or. Pre-order now!

Abangan – The Best Philippine Komiks, both the book and the shirt, is now available for pre-orders! Avail of the 20% discount only until April 12!

Here are the discounted rates:
The comic book anthology: Php250
The official shirt (XS-3XL): Php400

Accepting payments through Paypal and bank transfer. Message us on the FB Page for details!

Promo art by the indefatigable Rob Cham!

I have pre-ordered both the book and the shirt. (I hope the Large is large enough for me.) Go message them!

This is from Mookie Katigbak-Lacuesta:

Friends and Colleagues, this is a general call for submissions to Fast Food Fiction Volume 2. This is the encore to Noelle de Jesus’ well-received Fast Food Fiction, which came out eleven years ago. Noelle has very kindly asked me to be co-editor for this one, and I would love to read your work over palabok fiesta and fries. Please share, and thanks for your time.

Fast Food Fiction wants stories 500 words or less. Go submit!

komiks news

Watch out for: a comic book written by Eliza Victoria (that’s me!) and illustrated by Mervin Malonzo of Tabi Po fame.

“Nabasa ko na lahat. Ganda! Habang binabasa ko, navivisualize ko na rin talaga sya. At naiimagine ko na kung ano ang maiooffer ko dito in terms of imagery…Gusto ko na violent din sya. Bagay na bagay sya sa kin. I think this will be a good book and I’m glad that you approached me on this.”

Well, I’m glad Mervin agreed to lend his time and talent to this project.  Salamat, Mervin!

More details next time. Needless to say — I am very very excited.

Check out Tabi po (online komiks) in the meantime! http://www.tabi-po.com/

komikon 2013

Yikes, late post.

Well, as far as I can remember, the last Komikon I attended was the Summer Komikon held in my alma mater, UP, at the Bahay ng Alumni. I mentioned this to comics creator Paolo Fabregas and he said: “That was years ago!”

I know, dude. I know.

Why did it take me so long to return?

I am lazy. And I hate the heat. Really. I think you’d hate it too if you happened to meet me during the summer and I left a streak of sweat on your book.

And I don’t have a lot of cash. Sad face.

But, November is relatively cooler (relatively!), and I’m curious about the Bayanihan Center, and I have some books to sell, and I like the idea of attending the Komikon not just as a reader but as an author. With a seat behind a table! (Even though I don’t have a comic book!) And a free lunch! 

However, my face doesn’t scream Author. I sat behind the table and I think got more questions about Budjette’s and Manix’s books (“Magkano ‘to, ate?”) than autograph requests. I’ll stamp my name on my face next time. Haha! Kidding! (Or not?)

Then there were those who dropped my books as if they were infected when they learned that they were not comics, but prose. PROSE. GASP! How dare I bring prose to a comics convention?

Again, I joke. (Or not. I will remember your faces!)

I had fun. I really did. I talked about books with seatmates Paolo Fabregas and Carljoe Javier, and heard some inside scoop about book selling and book production from Carljoe and Ms. Nida. I sold out five copies of Unseen Moon in less than an hour. And my books were selling so well that they had to sell the browsing copy of Project 17. When I left, around 5 pm, there were only two copies left of A Bottle of Storm Clouds, including the browsing copy.

So thank you, readers, for making this author happy. And thank you to the ladies and gents of Visprint, as always.

Visprint @ Komikon 2013

Paolo Fabregas

Komikon 2013

I lined up to have stuff autographed by Rob Cham and Gerry Alanguilan, but I was too awkward to start a meaningful conversation with them. (I just left each of them a card. Uh. Hi po.)

Rob Cham

Rob Cham

My little loot, mostly comics from Carljoe’s Comic Book Writing class.

Komikon 2013

Next con: the Readercon! See you on Dec. 7!

Oh, and I’ll tell you a secret: I’m working on a comic book script! I have an outline, around 23 pages written, and I’ve contacted the artist. I want to finish it first. (I know some writers pass along script pages as they write – I can’t do that, I’ll break out in hives.)

I’m having fun, though I keep referring to the Internet to find the proper term to describe a scene. Memories of my Film 101 class!

Let’s see how it goes. I’m excited to see the words come to life as art.

komiks review: kapitan bayaran + filipino heroes league + mythspace: lift-off + kung paano ako naging leading lady

Kapitan Bayaran

Story by Joanne Cesario

Art by Michelle Bacabac
Albert wakes up one day and discovers he can read minds. He decides to make a business out of it.

The premise intrigued me so much that it was the first comic book I picked up at the Komikon Indie Tiangge.  I loved it. Seamless storyboarding, with art that fits the story’s tone. The humor is matter-of-fact and good-natured, with an air of – dare I say it? – innocence? Like how young boys talk to each other: everything matters but nothing matters, because it will all turn out for the better. The creators found a beautiful heartwarming way to close the story, so effective that the final panels made me smile, nostalgic for UP and college and that time in your life when all you need to be happy is to be able to go back home after a grueling semester.

(Oh my God, I am getting old.)

Filipino Heroes League (Book 1: Sticks and Stones)

Story and Art by Paolo Fabregas

Under-manned and under-funded, the Filipino Heroes League does what it can to fight against injustice.

It’s tough being a super hero but it’s even tougher being a third-world super hero.

I am late to the party. At the time FHL came out, I think, I was busy following Trese’s exploits, and I (unfairly) judged and dismissed this book because the title and cover irritated me in a way empty platitudes like “The Filipino Spirit Is Waterproof” irritates me.

I can be a lazy book buyer, because if only I had flipped the book and had seen this image –

– I would have picked it up in a heartbeat.

Like Budjette Tan, as he mentioned in his introduction, Paolo Fabregas had me at PEDICAB.

It was tough getting past the opening pages because it showed the World Trade Center and the Islamic Defenders (as villain) and I had so much conflicting emotions that I had to put it down.

When I picked it up again and read how the local news anchor put more weight on the exploits of Bomb Boy, a Filipino superhero who “made it big” by being the sidekick (not even a hero – just the sidekick that gets thrown like a discus) of an American superhero, I appreciated what the comics creator is trying to do with FHL’s silly, heightened reality. It’s funny because it’s sad. It’s sad because it’s true. The fascination with showbiz, supers going abroad to earn more money, earning money so your relatives can spend it on frivolous things (I feel you Kidlat Kit, haha), living DIY-style (not even the cutesy DIY, it’s the we-have-no-money-so-we-have-no-choice DIY), graft and corruption – it’s the Pinoy reality, and it is presented here in an entertaining, effective way.

Looking forward to Book 2.

(Check out these preview pages for Book 1 if you want a sampler.)

Kung Paano Ako Naging Leading Lady

Story by Carlo Vergara

Art by Elmer Cantada

I don’t want to talk too much about the story, because the joy of reading Vergara’s newest offering is in seeing how the story unfolds, how reality is juxtaposed with the fantastic. Even the back blurb is intentionally vague. Like in ZsaZsa Zaturnnah, the story is effective because it touches on something true: at some point in our lives, we have considered our siblings our own bitter competition. Who earns more money? Who has a “better” life? Who does Mother treasure more?

My only regret is failing to see this as a one-act play onstage.

Here have a sample page. Great, clean art by Cantada.

Mythspace: Lift-Off

Story by Paolo Chikiamco

Art by Koi Carreon

Kapre. Nuno. Manananggal.

They are monsters of the past, remnants of primitive fantasies.

UFOs. Aliens. Extraterrestrials.

They are hallucinations, creations of modern science fiction.

Or are they?

Evidence unearth is debunked…or disappears. Witnesses who speak are ridiculed…or silenced.

We are alone, say our leaders.

There are no Manananggal that consume our children. There are no Kapres who watch in the night.

There are no aliens that abduct our neighbors. There are no UFOs with dazzling lights.

We were never alone.

These are not your Lola’s monsters.

These are not your children’s aliens.

They are one and the same. They are here.

What else can you say about the monsters of Philippine folklore? How else to make their tales fresh, push the envelope, how else to make them exciting? Paolo Chikiamco asked this questions (maybe?) and came up with the perfect answer: bring the aswang to space. The premise opens up so many possibilities, injecting a truly Filipino spirit to the Western tropes of the space opera.

This is cliche, but: Mythspace is a triumph of the imagination. (Translation: I am envious, Pao! Why didn’t I think of this???)

Great art by Koi Carreon.

Waking the Dead by Yvette Tan

Twisted 9 by Jessica Zafra

All’s Fair in Blog and War by Chrissie Peria

Cover (Story) Girl by Chris Mariano

Mythspace by Paolo Chikiamco and Koi Carreon

fled their faces turned by Christian Tablazon

Now, Then, and Elsewhen by Nikki Alfar

Fairy Tale Fail by Mina V. Esguerra

Interim Goddess of Love by Mina V. Esguerra

Naermyth by Karen Francisco

Philippine Speculative Fiction Vol. 8 by various authors

The Best of PSF (2005-2010) by various authors

Philippine Speculative Fiction Vol. 1 by various authors

Philippine Speculative Fiction Vol. 3 by various authors

How to Traverse Terra Incognita by Dean Francis Alfar

Si Amapola sa 65 na Kabanata by Ricky Lee

Save the Cake by Stella Torres

The Real Score by Kesh Tanglao

Vintage Love by Agay Lllanera

Drone by Allan Popa

The Filipino Heroes League by Paolo Fabregas