philippine speculative fiction volumes from flipside

The Philippine Speculative Fiction series, a print anthology series spearheaded by Dean Alfar, can now be read on your Kindle and other devices.

Published by Kestrel and Flipside, PSF Vol. 4 is the latest in the series to appear on Amazon. I have a story here called “Parallel”.

Product Description

A comic book fan gets his wish; A woman’s quest for the perfect man; Diseases sold over the Internet. The Philippine Speculative Fiction series are anthologies that showcase the rich variety of Philippine literature: between these covers you will find magic realism next to science fiction, traditional fantasy beside slipstream, and imaginary worlds rubbing shoulders with alternate Philippine history — demonstrating that the literature of the fantastic is alive and well in the Philippines.

Stories from this series have been included in the Honorable Mentions list from The Year’s Best Fantasy and Horror edited by Ellen Datlow and Kelly Link & Gavin Grant.

“Volume 4 of the series is, in my humble opinion, the best yet in the series. It contains 24 stories by both new and more established writers.” – World Fantasy Award-winning author Jeffrey Ford

Contributors include:

Ronald Cruz
Charles Tan
Jose Elvin Bueno
Kenneth Yu
Rochita Loenen-Ruiz
Maryanne Moll
Carljoe Javier
Joseph Nacino
Paolo Jose Cruz
Adam David
Erica Gonzales
Anne Lagamayo
Vincent Simbulan
Eliza Victoria
Leo Magno
Noel Tio
Celestine Trinidad
Isabel Yap
Monique Francisco
Kathleen Aton-Osias
Sharmaine Galve
Crystal Gain Shangkuan Koo
Andrew Drilon
Apol Lejano-Massebieau

Go grab the other volumes!
Other titles:

protecting your literary estate

In this blog post, Neil Gaiman says:

Writers put off making wills (well, human beings put off making wills, and most writers are probably human beings). Some of us think it’s self-aggrandising or foolish to pretend that anyone would be interested in their books or creations after they’re dead. Others secretly believe we’re going to live forever and that making a will would mean letting Death in a crack.

Others make wills, but don’t think to take into account what happens to our literary estate as a separate thing from the disposition of our second-best beds, which means unqualified or uninterested relatives can find themselves in control of everything the author’s written. Some of us are just cheap.

All this bothered me, and still bothers me.

Well, now that he mentioned it, it bothered me, too. Mr. Gaiman attached a downloadable PDF file of a sample will that authors (especially lazy authors) can use, but the template is only “appropriate for the US”.

So I asked Tin Lao, a lawyer friend (who is also a brilliant poet and fictionist), about the options for protecting the literary estates of Filipino authors.

She says, and I quote:

Hi, E!

Holographic wills are allowed in the Philippines. The law here requires merely that it is handwritten, signed, and dated.

The other option is a notarized will (called a “notarial will”). As far as I can remember, in this case:

1. The maker must sign this in the presence of three/more credible (with capacity, meaning, adult, in full possession of capacity) witnesses.

2. All of them must be in the same place, all must see the act of signing at the same time.

3. Each page must be signed on the left margin and his witnesses in each other’s presence.

4. The last page, must be signed on the appropriate blanks for the maker and each witness.

5. Each page of the will must be numbered placed on the upper part of each page.

6. There is an attestation clause in a specified form not found in the form signed by the witnesses.

7. It must be acknowledged before a notary by the maker and his/her witnesses.

Should also note that there are compulsory heirs in the Philippines. (Legitimate children/descendants, legitimate parents/ascendants, ‘illegitimate’ parents, spouse, illegitimate children/descendants). Meaning, the will will only govern those properties in excess of what these heirs can inherit under Phil. law (usually, half the value of the property of the deceased) – this is called the “free portion”. The other half (the reserved portion) is called the “legitime” of the compulsory heirs.

In other words, yes, by all means, you can copy this will in your own handwriting, but sign and date it. It can be considered a holographic will. The formal requisites for a notarized will are more stringent in the Philippines though.

So there!

a wedding, and other things

Mark, a friend from high school, got married one beautiful Saturday afternoon.

Entrance to Notre Dame de Vie Chapel.

Mark.
Richard, subbing for June, as part of the entourage.
The bride.

Table 20 at the reception.

Best wishes, Mark and Roan!

On Sunday, we hiked over to Taguig to try the goods at Bar Dolci.

Inside Bar Dolci.

It’s not like I’ve tried everything, but I can vouch for White Chocolate Wasabi.

Photo credit: http://www.thebaghagdiaries.com/2011/01/food-blog-bar-dolci.html

They also have macarons and jelly candy.

Photo credit: http://www.thebaghagdiaries.com/2011/01/food-blog-bar-dolci.html
Photo credit: http://chinkee-onebigbite.blogspot.com/2011/06/life-is-sweet.html

Some links for your reading pleasure:

Lower Myths is now on iTunes for US$2.99

My poem, “Amaranthine”, is live on the Philippines Free Press

Hope your weekend was as delicious!

horror: filipino fiction for young adults toc

This was posted by Kenneth Yu:

Here is the TOC for Horror: Filipino Fiction For Young Adults, edited by Dean Alfar and myself, and coming soon from U.P. Press:

Honesty Hour – Gabriela Lee
Eat Me – Kally Hiromi R. Arsua
Mommy Agnes – Vince Torres
The Running Girl – Elyss Punsalan
Education By Ate Flora – Renelaine Bontol
The New Teacher – Alexander Osias
Gago’s Got Your Back – Andrew Drilon
Dan’s Dreams – Eliza Victoria
Itching To Get Home – Joseph Montecillo
Lola’s House – Fidelis Tan
A Yellow Brick Road Valentine – Charles Tan
Lucia, The Nightmare Hunter – Kate Osias
Frozen Delight – EK Gonzales
Misty – Isabel Yap

Congratulations to all!

moment of change and other links

Hello, hello! A belated Happy Mother’s Day to all the mothers out there. I spent it in Bulacan, with J and my family. I gave my mother a Strawberry Cream-scented lotion and body scrub that smelled so good I was, for a brief moment, tempted to just keep them and give her a blender instead.

Just dropping by to say that you can now buy a copy of Moment of Change from Aqueduct Press. Included here is my poem, “Prayer”, which first appeared in Stone Telling.

Shameless plug: And of course, my book, Lower Myths, is still available. Check it out if you have the time.

I compile links over here, but I want to share this now: Rochita Loenen-Ruiz’s guest post, “Decolonizing as an SF Writer“.

Mark Twain, in his essay, To the Person Sitting in Darkness, speaks out against the Imperialism of the United States and in particular against the actions taken by the Americans in subjugating the Philippines and appropriating the victory of the Filipinos against the Spanish colonizers.

Mark Twain writes in his essay about the mindset of America in those days:   We have got the Archipelago, and we shall never give it up.

When I read this essay, I can feel the bewilderment of the patriots who had fought and won the war against the Spanish, and I feel utter sorrow in knowing that our supposed allies painted us as being uncivilized and not fit to rule our own country. I also feel indignation on behalf of the soldiers who fought against the Spanish and who realized that they were facing another, more insidious enemy. The thing is, where Spain very clearly presented themselves as conquering overlords, America presented itself as a friend. It was an excellent strategy which confused us completely because what they did to the Filipino was a betrayal of that word “friend”.

And for something fun, read madmacarta. It’s my daily pick-me-up. Bonggey!

‘under the storm’ review in the philippine star

Thank you to Jordan for the tip about this review by Juaniyo Arcellana. My poem, “Crime Scenes”, is among the poems highlighted:

Of the younger poets, Eliza Victoria shines in the sheer creativity of her “Crime Scenes,” where form and content meld and blend in a fine, cinematic mix. Her newspaper background and orientation come handy in breaking down elements of the crime story, though the stuff here is not something you would read in the metro page or come across in a mission expose documentary. Watch out for her, in a few years she is bound to out write many of the so-called fixtures in this allegedly uneven anthology.

Crime Scenes” was a featured poem of Asia Writes in 2010.